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Programme Notes

FREDERICK LOEWE (1904-1988)

'GIGI' ­ Selection for orchestra arranged by Robert Russell Bennett

The partnership of Frederick Loewe and Alan Jay Lerner (1918-1986) produced some of the most successful stage musicals, and subsequently films, of the 20th century: My Fair Lady, Brigadoon, Paint Your Wagon and Camelot were all fruits of the collaboration which began when they met in 1942.

Loewe was born in Vienna, the son of an operetta tenor, and he trained for a career as a concert pianist: he studied with Busoni and d'Albert and studied composition under Reznicek in Berlin. In 1924 he and his father emigrated to America, but Frederick failed to make the grade as composer or concert pianist and worked as a jobbing pianist in New York restaurants. He began to write songs, and then several musicals for the Broadway stage, but none had much success, until he met Alan Jay Lerner. They worked together on Brigadoon, which was produced with great success in 1947.

In the Loewe-Lerner canon Gigi came between My Fair Lady and Camelot. Gigi had not been a stage show: the film, directed by Vincente Minelli, was released by MGM in 1958. It was based on a story by the French writer Colette, famous for, among other things, her early novels of schoolgirl life - and by the end of her career, a cult figure. She was the first Frenchwoman to be given a state funeral. When MGM took up the story Gigi had already been filmed in France, in 1948, but the Hollywood version was altogether more elaborate. It is the story of a rich man-about-town (Maurice Chevalier) who brings up a teenage girl (Leslie Caron) to be a courtesan. But she is a tomboy with a mind of her own and the plan seems unlikely to succeed: she decides to get married instead.

Musical highlights of the film included Chevalier's cynical-sentimental duet with Hermione Gingold, I Remember it Well, and the now politically objectionable Thank Heaven for Little Girls. But Gigi was further distinguished by Cecil Beaton's designs and costumes, set in fin de siècle Paris, and these won Oscars ­ and Gigi won seven others, for direction, photography, editing, screenplay, scoring, for the song 'Gigi' itself and, not least, for Best Picture. The orchestral selection offers a reprise of the film's best numbers.

Programme Notes by Paul Vaughan ©

 

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